NEW 2016 ANTHOLOGY Win $10 Gift Card!

giveaway

Get thirty short stories written by short story contest winners, invited best-selling writers, contest finalists, judges, CWI staff, and guests! The perfect gift for relatives, readers and writers. For a chance to win a FREE  $10   Amazon gift card, share this ad on Facebook  Dec. 6. Every time you share it, your name goes into a drawing. We will draw THREE winners at midnight Dec. 6, EST. Winners will be announced at www.CWInst.com. Get the new anthology, called EXPLAIN, at http://amzn.to/2gQiKCH.

A - Explain eBook Cover 2016.jpg

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What Makes Flash Fiction Sizzle or Fizzle?

by guest columnist, Avily Jerome

What Flash Fiction Markets Want

Avily Jerome is the Editor of Havok Magazine, the speculative fiction imprint at Splickety Publishing Group. When not editing flash fiction stories, she is a stay-at-home mom of six and is an aspiring speculative fiction author.

Interview by Farheen Gani

Flash fiction is one of the most enjoyable types of fiction to read because it’s quick and doesn’t require a great time commitment. You can read a flash story in a waiting room or in the bathroom or any time you have a few minutes to kill.

However, the very things that make flash fiction fun to read are what make it hard to write. An entire story world, developed characters, and a well-structured plot must be written in one thousand words or less. And, of course, as with all stories, it must engage your reader. Any story that is boring or has flat characters will be laid aside, regardless of how short it is.

Splickety Publishing Group looks for a few major elements when we’re deciding whether or not to acquire a story.

  1. Every word must count.

With flash stories, there’s no room for fluff. Excessive description or scene-setting pulls away from the story. With so much to accomplish in such a short amount of time, your writing needs to be concise and vivid. Use strong verbs and adjectives, and cut out anything that doesn’t directly add to the story.

  1. It must have a complete story arc.

Story structure in a flash piece is a more fluid concept than in a novel, but your story arc still has the same elements. It should start with some sort of inciting incident, include some major obstacle to overcome, and conclude with some sort of resolution at the end. It not only needs to engage the reader—it needs to satisfy him.

  1. It should have a twist of some sort.

This is not a hard-and-fast rule, but it is something that we at SPG like to see. Some of the best flash pieces have a twist that the reader doesn’t see coming. If you can incorporate an element of shock or humor or something thought provoking into your story, it’s more likely to hold our attention.

In short, we crave interesting stories that are tightly written. If we think your story has merit, we’ll work with you to make it the best it can be. Please visit our website at http://splicketypubgroup.com/submission-guidelines/ for upcoming themes and how to submit.

Get a FREE writing evaluation at http://www.CreativeWritingInstitute.com and sign up for The Writer’s Choice Newsletter (top right corner). Questions? Write to DeborahOwen@CWInst.com.

Don’t Read This!

Warning!

Don’t Read This

You Might Learn Something

by Deborah Owen

If you are a writer, it means you have courage! Every time you write, you’re revealing your deepest innermost feelings and attitude toward life. Not only that, you’re risking public judgment. Anyone who can face those odds can go the rest of the way and be published, but publication isn’t the end of your learning experience. It’s just the beginning.

Everything in life is a story that needs to be told. You still carry that small notebook, don’t you? The one you used to tell about the deer carcass on the road, the flashing ambulance and fire truck on their way to a wreck, the motorcycle club that held you up forever at an intersection, and the idiot with road rage. All of these are bits of a story yet to be told. Note them.

Learn from your “failed stories.” You know. The ones that didn’t sell. There is something to be learned from all of them. Reread them and ask yourself what is wrong with them. Are they wordy? Did you write yourself into a corner? Too many characters for the length of your story? (Two main characters and one or two more for flavor is all a 2,000 word story will comfortably hold.) Did your characters lack development? Did you force them to do something that went against their grain? Did you describe them so the reader could identify with them? Were your scenes in chronological order? Did you have enough conflict? Did the plot climax at least 2/3 of the way through? Did the middle sag? Spice those old stories up with alliteration, asyndeton, polysyndeton, similes, idioms, metaphors, and other advanced techniques. Don’t know what they are? Stay tuned. That’s what we’re going to study next.

When you hit a dead end, ask yourself two questions: what is the message of my story? How can I complicate the plot?

Don’t let your characters take the reins and write their own story. They will lead you places you don’t want to go. When that happens, stop and recapitulate. Roughly re-outline the story (you DID make an outline… right?) and follow it.

Remember your early writing days when you tried to decide whether ‘this sentence’ should go in ‘this’ paragraph or the next one? When you looked up the rules for ‘laying and lying,’ ‘further and farther,’ ellipses, quotations, italics, etc.? Remember your first story? Your first publication? Remember thinking how you would like to go to school, but it cost over $400 for a six-week course?

Now you can take that course. Creative Writing Institute offers eight-week courses with a private tutor for only $260. No money? We have a payment plan with no interest. And… well… we would do your homework for you, too, but it would be best if you put forth a little effort.  🙂

SPRING WRITING COURSE SALE

Spring into action to receive a tutored writing course for only $237! Use our no interest payment plan!

How long have you been promising yourself you would take a writing course? You’ll never know what could have been if you don’t give it a shot. Can’t begin now? Fine. Take up to one year to complete your course.

Shop and Compare:

Writers.com – Flash Fiction – Their Price – $340 Our Price – $237
Gotham Writers Workshop – Novel Writing – Their Price – $400 Our Price – $237
Writer’s Digest University Short Story – Their Price – $449 Our Price – $237
The Writing School Creative Writing – Their Price – $748 Our Price – $237
Winghill Writing School Writing for Children – Their Price $748 Our Price $237

Sale ends March 31, 2015. Hurry! Only 12 to a class!


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You are Your Worst Critic

Valentine Month Editorial
by Deborah Owen
Why does everything you write have to be perfect? Why must you be your own worst critic? You sweat and stew over churning out one typewritten page until the pleasure is gone from that greatest of all gifts – writing.

Why do you write? Is it not for pleasure? Is it not to give voice to that which lies within? Is it not to lather words in and around your soul until they cannot be contained? And thus you ponder, pander and play with characters, disguising in anonymity the events, episodes and people from your own life until the whole bursts forth as a new found infant.

As a new mother labors to bring her baby into the world, you cannot deny that which refuses to leave… the desire to write. Love it. Nurture it. Move it up the line of priorities until you reap the satisfaction that calls to your heart. Learn the trade at  Creative Writing Institute  with a private tutor. Give yourself a Valentine present. You deserve it. Sign up today and start tonight!

CEO, Deborah Owen’s First Story

Here is my personal Christmas gift to you… a cherished memory, complete with glaring errors… the first story I ever wrote, at age 15. Believe it or not, it won third place in the high school writing contest and was printed on the front page of our school newspaper. Sharing it now for the first time makes me feel like I’m naked in Times Square. Little did I know I would become a writing tutor and found a writing school as a nonprofit charity. By the way, the setting for this story was a Quonset hut that sat behind our property.

There’s a place for comments at the end. Be kind. lol


Poverty Stricken Children Keep Belief in Santa Claus

by Deborah Owen

At night, I always take a walk, no matter what the weather. Sometimes I walk a mile and sometimes more. I often take a friend along. Tonight I would like to take you with me.

Last week I found a little house, more like a hut, in the woods. As I drew nearer, my eyes pierced the broken pattern of the frosty window. I saw a family of seven huddled around a small, pot-bellied stove. The children were shabbily dressed.

One boy, about the age of nine, wore pants almost up to his knees. The little girl was about six. She wore a short dress far above her knees. She was shivering, and her small, frail arms were bare as was most of her body. The other, youngest child, about one, lay contented on his mother’s lap. The other children were girl twins about three, with long, blonde hair. They wore different colored sleeveless dresses with no buttons on them. They shivered from the cold, cutting winds that bypassed the sagging door.

The room itself was bare of furniture. The only furniture in sight was the pot-bellied stove and a single table and chair.

No Christmas Tree

So far as I could see, there was only one other room but there was no way for me to see into it. There was no Christmas tree as you might expect to see, this being the night before Christmas Eve.

Needless to say, these people are poor and can’t even clothe themselves and their children, let alone buy a Christmas tree and gifts for the children.

At one time, these children knew as happy a Christmas as anyone until their father fell seriously ill and lost his job. Then they were put out of their home and by chance, found the little hut where they now live.

This would be the first Christmas without Santa Claus. Their mother had tried to explain to them that he had so many children to visit that he might forget some. Since they lived so far back in the woods, he might not see them. But even then, the children had faith in Santa Claus and five stockings hung on the wall for him to fill.

It broke the parents’ hearts to know the children would be so cruelly disappointed. But Ann, the six-year-old, kept saying, “Don’t worry, mommy, Santa Claus never forgets.” Anne had even given up her slight supper for him, explaining that she didn’t want Santa to be as hungry as she was.

Christmas Eve came and went as normal as any other day, in most respects. They never had anymore than canned beans and some leftover meat – no milk and no coffee.

Parents Dread Christmas

The parents were dreading the coming Christmas, dreading to witness the first real heartbreak of their children’s young lives, not knowing how to prevent it, but never ceasing in their efforts to lessen their coming grief.

It was Christmas Eve when all the children said their prayers. There was no need to pray that Santa Claus might not forget, for they sincerely believed that he wouldn’t. The coming Christmas would be one of sorrow. It would be one in which all faith and confidence would be shattered.

It was getting late, and the children were asleep. There wouldn’t be any chicken dinner for them. It would be the same canned beans they ate every day.

Then I started home, for it was getting late. As I prepared for bed, the peace and contentment that surrounded me gave way to the horizon of a new thought! The night was a busy one.

In the morning I returned to see the results of my surprise. I woke early on Christmas Day. My first thought was the poor family I encountered on Christmas Eve.

A White Christmas

Silently, I dressed and slipped out of the house. As I left, I noticed it had snowed during the night. It would be a white Christmas. I made my way to the house in the woods some two miles away.

As I neared, I saw the children jumping and laughing through the window. Ann was holding a doll in her arms, not new, but in good condition. Her big brother had a used glove and a baseball.

The twins had twin dolls, and the baby held a teddy bear. Their mother was admiring a plump chicken ready to be cooked which had a red ribbon around it and a note reading, “Merry Christmas,” and as she read the note, Ann said, “See, Mommy, I told you Santa wouldn’t forget.”

And her parents agreed with her, as they knelt to thank the Lord for another MERRY CHRISTMAS.

Short Story Contest Winners Announced!

SHORT STORY WINNERS ANNOUNCED

A hearty congratulations to the winners, finalists, honorable mentions, guests and staff who contributed to Creative Writing Institute’s 2nd Annual Anthology, which will be on sale in December. Thank you for becoming part of our history. You will notice some of the winners have an asterisk by them. That indicates their story was chosen by a judge as a “judge’s pick,” which is a high honor. And now – our list of winners!

You can read the top three winning stories  here:

1st place winner: The Devil and Mrs. Morgan by Marsha Porter: https://deborahowen.wordpress.com/the-devil-and-mrs-morgan-by-marsha-porter-1st-prize-winner/

2nd place winner: This Woman’s Right by Brian Staff: https://deborahowen.wordpress.com/this-womans-right-by-brian-staff/

 Reading the Leaves by Gargi Mehra: https://deborahowen.wordpress.com/reading-the-leaves-by-gargi-mehra-3rd-place-winner/

1st place: The Devil and Mrs. Morgan by Marsha Porter

2nd place: This Woman’s Right by Brian Staff

3rd place: Reading the Leaves by Gargi Mehra

4th place: * Yogatta be Kidding Me by Sue Nickerson

5th place: * Pages of You by Tricia Seabolt  

Honorable Mentions

*You – Ivadell Brower

*Egot and the Trident of the Pond King by J. Lenni Dorner

By any other Name by M. Bulechek

Read to Me by Joan Bassington-French

Lana’s Sister by Diane Maciejewski

Revelation by Summer Jones

*Mad Artist by Robert Marazas

Aftermath by Mark Trudel

Striking Out by Brenda Anderson

The Truth in Names by Sarah Dayan

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