This is the greatest opportunity for publication you will ever have.
Welcome to Creative Writing Institute’s annual short story contest. This is going to be our biggest and best contest yet. In a small fee-based contest like this, the competition is much less and your chances of winning are much greater. Our fee is the price of a Starbucks’s cup of coffee and it helps subsidize our nonprofit charity contest, so invest in us and at the same time invest in yourself.
Publication: we will publish the first, second and third place winners, two honorable mentions, and ten additional Judge’s Pick stories in our fifth annual anthology, along with best-selling guest authors and stories written by Creative Writing Institute’s staff. Enjoy the competition. Join the fun!
Judge’s Pick: you may be asking what a “Judge’s Pick” story is. That is a story that impressed a judge so much that he/she nominated it for publication, even though it was not a winning entry. A very high commendation for the author!
* $150 and Gold eMedal OR a free, privately tutored writing course valued at $260
* $100 and Silver eMedal OR $200 applied toward a privately tutored writing course
* $50 and Bronze eMedal OR $125 applied toward a privately tutored writing course
Fourth and Fifth place:
* Honorable Mention eMedal
In addition, we will publish ten Judge’s Pick stories.
For the First Time — the Lucky Draw!
We would like to express our gratitude to Microsoft and TechSoup for donating a Norton AntiVirus Package for five computers, valid for one year. *The Norton Package will only open in the USA, but that’s fine. You have 15 other opportunities to win!
eMedals: You will love the classy eMedals. Make them any size you want. Post them on your site and on social media!
Revealing our Cover: for the first time, we are revealing our cover for the next anthology, which will be titled LOST. (You can see the enlarged picture at http://www.CreativeWritingInstitute.com.)
The theme sentence is below the picture. Be sure to use it in your story.
“I am completely and utterly lost.”
- Open genre
- One prize per person
- Entry fee: $5 per submission
- Submit each story individually
- Word limit is 1,500 to 2,000 words.
- Story may not have been published before.
- No swearing, profanity, explicit sexual scenes, graphic violence, etc.
- Your story must include this theme sentence: “I am completely and utterly lost.”
- Winners agree to minor editing rights and will grant first, non-exclusive, electronic rights.
- All Rights return to the author upon publication.
- Accepting submissions until August 31, 2017, midnight, USA Eastern Standard Time.
- Apply the theme sentence to an emotional state, a physical location, fighting illness, or any other application that comes to mind.
- Copy and paste your document into https://CreativeWritingInstitute.submittable.com/submit.
Do NOT send your submission as an email attachment. We will not open it. Direct questions to head judge Jianna Higgins, at firstname.lastname@example.org.
Last week we talked about asyndeton – a method of listing items without using a conjunction for the purpose of showing more by saying less – and the week before was onomotoepia.
Today we will study polysyndeton, which is diametrically opposed to asyndeton. Polysyndeton is the repeated use of conjunctions for the purpose of intensifying the scene, building the excitement and indicating (like asyndeton) an endless and innumerable list.
Our thanks to Word Magic for Writers by Cindy Rogers for this example. This quote comes from Charlotte’s Web where a rat is telling Wilbur the pig, in no uncertain terms, what he expects.
“Struggle if you must,” said Templeton, “but kindly remember that I’m hiding down here in this crate and I don’t want to be stepped on, or kicked in the face, or pummeled, or crushed in any way, or squashed, or buffeted about, or bruised, or lacerated or scarred, or biffed.”
Do you think Templeton made himself clear? And how did he do that? He drove the point home by using the repetitious ‘or.’ You will find a lot of this in children’s books. If you will listen to children talk, they use a lot of polysndeton when they talk:
“Mommy, I want ice cream, and chocolate, and nuts, and whipped cream.”
Do you see how these examples build the scene by intensifying repetition? This is a simple technique, but don’t discount its importance.
P.S. Did you notice this example uses antiquated language? Writing styles are always morphing and wise is the writer who morphs with them. Today’s writer would have written “Templeton said” instead of “said Templeton.”
Write three sentences using ASYNDETON and three more sentences using POLYSYNDETON. Send them to DeborahOwen@CWinst.com. Memorize these words and know what they mean.
See http://www.CreativeWritingInstitute.com for all your writing needs. Sign up for our newsletter, The Writer’s Choice, on the front page, top right corner.
Writers have developed innumerable techniques to nail their reader’s eyes to the page, and one of those secret weapons is called asyndeton. However, there is nothing new under the sun. We have simply learned how to describe what we do and have tagged it with a name. These techniques have been around since Adam and Eve told stories to Cain and Abel.
Asyndeton means disjointed and unconnected. In literature, it is the art of stringing a list of clauses together without the use of conjunctions. Doesn’t sound that exciting, does it? But wait until you see the examples!
From Double Indemnity: Why, they’ve got ten volumes on suicide alone. Suicide by race, by color, by occupation, by sex, by seasons of the year, by time of day. Suicide, how committed: by poisons, by firearms, by drowning, by leaps. Suicide by poison, subdivided by types of poison, such as corrosive, irritant, systemic, gaseous, narcotic, alkaloid, protein, and so forth.
Writers aren’t the only ones who use this effectively. Orators and statesmen use it, too.
Julius Caesar said, “I came, I saw, I conquered.”
Sir Winston Churchill used it in 1940 in the address known as “We shall fight on the beaches:”
We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.
And John F. Kennedy used it: “…that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”
Now it’s your turn. For hard core impact with a dramatic effect, try asyndeton!
For more great writing tips, subscribe to The Writer’s Choice (top right corner) at http://www.CreativeWritingInstitute.com, the writing school that supplies every student with a private tutor!
by guest columnist, Avily Jerome
What Flash Fiction Markets Want
Avily Jerome is the Editor of Havok Magazine, the speculative fiction imprint at Splickety Publishing Group. When not editing flash fiction stories, she is a stay-at-home mom of six and is an aspiring speculative fiction author.
Interview by Farheen Gani
Flash fiction is one of the most enjoyable types of fiction to read because it’s quick and doesn’t require a great time commitment. You can read a flash story in a waiting room or in the bathroom or any time you have a few minutes to kill.
However, the very things that make flash fiction fun to read are what make it hard to write. An entire story world, developed characters, and a well-structured plot must be written in one thousand words or less. And, of course, as with all stories, it must engage your reader. Any story that is boring or has flat characters will be laid aside, regardless of how short it is.
Splickety Publishing Group looks for a few major elements when we’re deciding whether or not to acquire a story.
- Every word must count.
With flash stories, there’s no room for fluff. Excessive description or scene-setting pulls away from the story. With so much to accomplish in such a short amount of time, your writing needs to be concise and vivid. Use strong verbs and adjectives, and cut out anything that doesn’t directly add to the story.
- It must have a complete story arc.
Story structure in a flash piece is a more fluid concept than in a novel, but your story arc still has the same elements. It should start with some sort of inciting incident, include some major obstacle to overcome, and conclude with some sort of resolution at the end. It not only needs to engage the reader—it needs to satisfy him.
- It should have a twist of some sort.
This is not a hard-and-fast rule, but it is something that we at SPG like to see. Some of the best flash pieces have a twist that the reader doesn’t see coming. If you can incorporate an element of shock or humor or something thought provoking into your story, it’s more likely to hold our attention.
In short, we crave interesting stories that are tightly written. If we think your story has merit, we’ll work with you to make it the best it can be. Please visit our website at http://splicketypubgroup.com/submission-guidelines/ for upcoming themes and how to submit.
Get a FREE writing evaluation at http://www.CreativeWritingInstitute.com and sign up for The Writer’s Choice Newsletter (top right corner). Questions? Write to DeborahOwen@CWInst.com.
Don’t Read This
You Might Learn Something
by Deborah Owen
If you are a writer, it means you have courage! Every time you write, you’re revealing your deepest innermost feelings and attitude toward life. Not only that, you’re risking public judgment. Anyone who can face those odds can go the rest of the way and be published, but publication isn’t the end of your learning experience. It’s just the beginning.
Everything in life is a story that needs to be told. You still carry that small notebook, don’t you? The one you used to tell about the deer carcass on the road, the flashing ambulance and fire truck on their way to a wreck, the motorcycle club that held you up forever at an intersection, and the idiot with road rage. All of these are bits of a story yet to be told. Note them.
Learn from your “failed stories.” You know. The ones that didn’t sell. There is something to be learned from all of them. Reread them and ask yourself what is wrong with them. Are they wordy? Did you write yourself into a corner? Too many characters for the length of your story? (Two main characters and one or two more for flavor is all a 2,000 word story will comfortably hold.) Did your characters lack development? Did you force them to do something that went against their grain? Did you describe them so the reader could identify with them? Were your scenes in chronological order? Did you have enough conflict? Did the plot climax at least 2/3 of the way through? Did the middle sag? Spice those old stories up with alliteration, asyndeton, polysyndeton, similes, idioms, metaphors, and other advanced techniques. Don’t know what they are? Stay tuned. That’s what we’re going to study next.
When you hit a dead end, ask yourself two questions: what is the message of my story? How can I complicate the plot?
Don’t let your characters take the reins and write their own story. They will lead you places you don’t want to go. When that happens, stop and recapitulate. Roughly re-outline the story (you DID make an outline… right?) and follow it.
Remember your early writing days when you tried to decide whether ‘this sentence’ should go in ‘this’ paragraph or the next one? When you looked up the rules for ‘laying and lying,’ ‘further and farther,’ ellipses, quotations, italics, etc.? Remember your first story? Your first publication? Remember thinking how you would like to go to school, but it cost over $400 for a six-week course?
Now you can take that course. Creative Writing Institute offers eight-week courses with a private tutor for only $260. No money? We have a payment plan with no interest. And… well… we would do your homework for you, too, but it would be best if you put forth a little effort. 🙂
Spring into action to receive a tutored writing course for only $237! Use our no interest payment plan!
How long have you been promising yourself you would take a writing course? You’ll never know what could have been if you don’t give it a shot. Can’t begin now? Fine. Take up to one year to complete your course.
Shop and Compare:
Writers.com – Flash Fiction – Their Price – $340 Our Price – $237
Gotham Writers Workshop – Novel Writing – Their Price – $400 Our Price – $237
Writer’s Digest University Short Story – Their Price – $449 Our Price – $237
The Writing School Creative Writing – Their Price – $748 Our Price – $237
Winghill Writing School Writing for Children – Their Price $748 Our Price $237
Sale ends March 31, 2015. Hurry! Only 12 to a class!