This is the greatest opportunity for publication you will ever have.
Welcome to Creative Writing Institute’s annual short story contest. This is going to be our biggest and best contest yet. In a small fee-based contest like this, the competition is much less and your chances of winning are much greater. Our fee is the price of a Starbucks’s cup of coffee and it helps subsidize our nonprofit charity contest, so invest in us and at the same time invest in yourself.
Publication: we will publish the first, second and third place winners, two honorable mentions, and ten additional Judge’s Pick stories in our fifth annual anthology, along with best-selling guest authors and stories written by Creative Writing Institute’s staff. Enjoy the competition. Join the fun!
Judge’s Pick: you may be asking what a “Judge’s Pick” story is. That is a story that impressed a judge so much that he/she nominated it for publication, even though it was not a winning entry. A very high commendation for the author!
* $150 and Gold eMedal OR a free, privately tutored writing course valued at $260
* $100 and Silver eMedal OR $200 applied toward a privately tutored writing course
* $50 and Bronze eMedal OR $125 applied toward a privately tutored writing course
Fourth and Fifth place:
* Honorable Mention eMedal
In addition, we will publish ten Judge’s Pick stories.
For the First Time — the Lucky Draw!
We would like to express our gratitude to Microsoft and TechSoup for donating a Norton AntiVirus Package for five computers, valid for one year. *The Norton Package will only open in the USA, but that’s fine. You have 15 other opportunities to win!
eMedals: You will love the classy eMedals. Make them any size you want. Post them on your site and on social media!
Revealing our Cover: for the first time, we are revealing our cover for the next anthology, which will be titled LOST. (You can see the enlarged picture at http://www.CreativeWritingInstitute.com.)
The theme sentence is below the picture. Be sure to use it in your story.
“I am completely and utterly lost.”
- Open genre
- One prize per person
- Entry fee: $5 per submission
- Submit each story individually
- Word limit is 1,500 to 2,000 words.
- Story may not have been published before.
- No swearing, profanity, explicit sexual scenes, graphic violence, etc.
- Your story must include this theme sentence: “I am completely and utterly lost.”
- Winners agree to minor editing rights and will grant first, non-exclusive, electronic rights.
- All Rights return to the author upon publication.
- Accepting submissions until August 31, 2017, midnight, USA Eastern Standard Time.
- Apply the theme sentence to an emotional state, a physical location, fighting illness, or any other application that comes to mind.
- Copy and paste your document into https://CreativeWritingInstitute.submittable.com/submit.
Do NOT send your submission as an email attachment. We will not open it. Direct questions to head judge Jianna Higgins, at firstname.lastname@example.org.
Writers have developed innumerable techniques to nail their reader’s eyes to the page, and one of those secret weapons is called asyndeton. However, there is nothing new under the sun. We have simply learned how to describe what we do and have tagged it with a name. These techniques have been around since Adam and Eve told stories to Cain and Abel.
Asyndeton means disjointed and unconnected. In literature, it is the art of stringing a list of clauses together without the use of conjunctions. Doesn’t sound that exciting, does it? But wait until you see the examples!
From Double Indemnity: Why, they’ve got ten volumes on suicide alone. Suicide by race, by color, by occupation, by sex, by seasons of the year, by time of day. Suicide, how committed: by poisons, by firearms, by drowning, by leaps. Suicide by poison, subdivided by types of poison, such as corrosive, irritant, systemic, gaseous, narcotic, alkaloid, protein, and so forth.
Writers aren’t the only ones who use this effectively. Orators and statesmen use it, too.
Julius Caesar said, “I came, I saw, I conquered.”
Sir Winston Churchill used it in 1940 in the address known as “We shall fight on the beaches:”
We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.
And John F. Kennedy used it: “…that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”
Now it’s your turn. For hard core impact with a dramatic effect, try asyndeton!
For more great writing tips, subscribe to The Writer’s Choice (top right corner) at http://www.CreativeWritingInstitute.com, the writing school that supplies every student with a private tutor!
by guest columnist, Avily Jerome
What Flash Fiction Markets Want
Avily Jerome is the Editor of Havok Magazine, the speculative fiction imprint at Splickety Publishing Group. When not editing flash fiction stories, she is a stay-at-home mom of six and is an aspiring speculative fiction author.
Interview by Farheen Gani
Flash fiction is one of the most enjoyable types of fiction to read because it’s quick and doesn’t require a great time commitment. You can read a flash story in a waiting room or in the bathroom or any time you have a few minutes to kill.
However, the very things that make flash fiction fun to read are what make it hard to write. An entire story world, developed characters, and a well-structured plot must be written in one thousand words or less. And, of course, as with all stories, it must engage your reader. Any story that is boring or has flat characters will be laid aside, regardless of how short it is.
Splickety Publishing Group looks for a few major elements when we’re deciding whether or not to acquire a story.
- Every word must count.
With flash stories, there’s no room for fluff. Excessive description or scene-setting pulls away from the story. With so much to accomplish in such a short amount of time, your writing needs to be concise and vivid. Use strong verbs and adjectives, and cut out anything that doesn’t directly add to the story.
- It must have a complete story arc.
Story structure in a flash piece is a more fluid concept than in a novel, but your story arc still has the same elements. It should start with some sort of inciting incident, include some major obstacle to overcome, and conclude with some sort of resolution at the end. It not only needs to engage the reader—it needs to satisfy him.
- It should have a twist of some sort.
This is not a hard-and-fast rule, but it is something that we at SPG like to see. Some of the best flash pieces have a twist that the reader doesn’t see coming. If you can incorporate an element of shock or humor or something thought provoking into your story, it’s more likely to hold our attention.
In short, we crave interesting stories that are tightly written. If we think your story has merit, we’ll work with you to make it the best it can be. Please visit our website at http://splicketypubgroup.com/submission-guidelines/ for upcoming themes and how to submit.
Get a FREE writing evaluation at http://www.CreativeWritingInstitute.com and sign up for The Writer’s Choice Newsletter (top right corner). Questions? Write to DeborahOwen@CWInst.com.
Don’t Read This
You Might Learn Something
by Deborah Owen
If you are a writer, it means you have courage! Every time you write, you’re revealing your deepest innermost feelings and attitude toward life. Not only that, you’re risking public judgment. Anyone who can face those odds can go the rest of the way and be published, but publication isn’t the end of your learning experience. It’s just the beginning.
Everything in life is a story that needs to be told. You still carry that small notebook, don’t you? The one you used to tell about the deer carcass on the road, the flashing ambulance and fire truck on their way to a wreck, the motorcycle club that held you up forever at an intersection, and the idiot with road rage. All of these are bits of a story yet to be told. Note them.
Learn from your “failed stories.” You know. The ones that didn’t sell. There is something to be learned from all of them. Reread them and ask yourself what is wrong with them. Are they wordy? Did you write yourself into a corner? Too many characters for the length of your story? (Two main characters and one or two more for flavor is all a 2,000 word story will comfortably hold.) Did your characters lack development? Did you force them to do something that went against their grain? Did you describe them so the reader could identify with them? Were your scenes in chronological order? Did you have enough conflict? Did the plot climax at least 2/3 of the way through? Did the middle sag? Spice those old stories up with alliteration, asyndeton, polysyndeton, similes, idioms, metaphors, and other advanced techniques. Don’t know what they are? Stay tuned. That’s what we’re going to study next.
When you hit a dead end, ask yourself two questions: what is the message of my story? How can I complicate the plot?
Don’t let your characters take the reins and write their own story. They will lead you places you don’t want to go. When that happens, stop and recapitulate. Roughly re-outline the story (you DID make an outline… right?) and follow it.
Remember your early writing days when you tried to decide whether ‘this sentence’ should go in ‘this’ paragraph or the next one? When you looked up the rules for ‘laying and lying,’ ‘further and farther,’ ellipses, quotations, italics, etc.? Remember your first story? Your first publication? Remember thinking how you would like to go to school, but it cost over $400 for a six-week course?
Now you can take that course. Creative Writing Institute offers eight-week courses with a private tutor for only $260. No money? We have a payment plan with no interest. And… well… we would do your homework for you, too, but it would be best if you put forth a little effort. 🙂
by Mr. E. Lynn Carroll, Creative Writing Institute Tutor
My assignment was to write about unique ways to say “I Love You” on Valentine’s Day. I looked, I Googled, I read, and I researched and what I found sounded so off the wall that I decided to just tell you what I do. If your beloved isn’t satisfied with the traditional gifting, try my simple solution.
I used to give my wife flowers on her birthday and being the practical, sensible Asian she is, she said, “Why you spend money on something I cannot eat, spend, or wear? These will die in a few days. You have foolishly wasted your money.”
Devastated, I determined to do better for Christmas, so I spent a lot of money on a nice winter coat. When she opened the present, she seemed happy. She never wore the coat. When I asked her why, being the practical, sensible Asian she is, she said, “It’s nice, but not something I would have bought.”
Doubly devastated, I gave up buying her anything for holidays, and being a stoic Asian, she never mentioned it. Nevertheless, I love her and for years, instead of buying presents, I gave her money. Still, I was unhappy. How could I solve this problem?
Now, my mother, being the acquisitive, materialistic, loving Western woman she was, brought me up to put all women on a pedestal, which is why I ended up snagged on these horns of hell. I wanted to please my wife, but material things didn’t do the job.
One Valentine’s Day, years ago, I thought about a Valentine’s card and a heart-shaped box of chocolates, but I knew it wouldn’t do. Tormenting my brain, the only thing I could come up with harkened back to grade school where we passed little notes to the girls we had a crush on. Thus, a new idea.
I decided to leave little personal love notes all over the house. Simple stuff like, “I love you. How much? The whole wide world.” I posted notes inside the refrigerator, on the bathroom mirror, under her windshield wiper… everywhere I knew she would look.
She went to work before I did, but I knew she had seen them because they were gone. When I got home that night, she had my favorite dinner, candles lit, soft music, and the whole Shtick. Bingo!
Over the years, I’ve fancied the cards up a bit. I print and cut out pictures of cute animals, beautiful scenes gleaned from online pictures, pictures of ourselves in happy poses, and then glued them to green Christmas tree shapes or red Valentine’s hearts cut out from colored construction paper, accompanied by little messages from my heart. It seems like the cornier the better. 🙂
You’re a writer! Try adding a little old-fashioned ingenuity this Valentine’s Day. It doesn’t cost a lot, it’s fun, and the rewards are amazing!
*Check out http://www.CreativeWritingInstitute.com for all your writing needs. The school where every student receives a private tutor! We give free writing evaluations, too!
Breaking Free to Write by Deborah Owen
I’ve been wanting to join NaNo for years but never had the time, so why did I wait for the hardest year of all to do it? Which of the reasons listed below is the answer? Guess.
- Not too smart
- In a weak moment, I decided to give it a try.
- I had no idea what I was getting into.
- No coffee to awaken my brain on the day of that dreaded decision.
- I wanted to help encourage others through Creative Writing Institute next year.
Which one did you guess? Actually, all of these reasons led me into National Novel Writing Month. In a way, I severely underestimated the daily challenge, but in another sense of the word, writing 1666 words a day doesn’t take all that long. You aren’t supposed to edit as you go – which I always do – so not doing that makes the writing fast.
When I first started writing (back when dinosaurs were first laying their eggs), I determined that I would not start a second story until I finished the first and ditto with novels. It took me ten years to write my first novel and I can’t go against my own rules, so I decided to use NaNo to REwrite the novel.
NaNo doesn’t care what you do as long as you write. You can write 50,000 words in a series of short stories, write a novel, or just make a feeble, puny attempt. They only ask that you WRITE.
I am as guilty as the next writer in putting the muse off until it doesn’t come courting any more. Think of your dating days. What did you do to prepare for courting? You got your act together! You put your life in order and you laid time aside to go courting and be courted. Do that again. Court the muse.
I don’t have a clue about the NaNo site and all the things they offer, but I’m making an effort and enjoying it in spite of myself. If you haven’t started with NaNo this year, it isn’t too late. You have until the last day of November to sign up at http://www.http://nanowrimo.org. It doesn’t matter if you don’t meet your goal, but it DOES matter if you don’t even try.
Let’s make a deal. Try it for one week. Will you at least do that much? I have nothing whatever to gain by your joining NaNo. I’m just trying to help you get the same new vision that I have. It’s exciting! (Did I really say that? Um… I believe I did. I think I’m actually starting to enjoy this. Yeah!!!) Join me!
Huh? You insist on paying me back for this great favor? Okay. Drop in for a ten-second peek at http://www.CreativeWritingInstitute.com and we’ll call it even. Happy NaNoWriMo!