How to Win a Short Story Contest

 

Secrets of Winning a Writing Contest
by Bob Bruggemann

If you want to win a contest, the first thing you must do is follow the guidelines. Many submissions are disqualified because they don’t meet all the requirements. If the rules state a maximum of 1,000 words, a 1,025-word story, however brilliant, will hit the trash. (Do not include the title or byline in the word count.)

If the contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded. If you are in question as to whether a word will be considered a swear word, don’t use it or write to ms.jo@cwinst.com and ask.

Assuming you follow the guidelines, the judges will look at the following four elements.

  • Originality
  • Creativity
  • Style
  • Technique

Originality

Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce, but if you use an original angle, the judges will love it.

Creativity

Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.

Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a unique story.

Style

In short story contests, you’ll never wrong with the KISS method: (Keep It Simple, Sweetie.)
Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is easy to read.

Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.

Technique

A short story contest calls for three distinct parts: the beginning, middle, and end. It’s not as easy as it sounds. The beginning introduces the main character and the action and what the story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.

Above all, don’t overlook simple formatting rules.

  • Make a new paragraph for every new speaker
    · Single space your short story and indent paragraphs
    · Run the spellchecker!
    · Watch your punctuation

Last, but not least: write an original story specifically for the contest – but assuming you don’t follow that good advice, at least rewrite your story to fit the guidelines.

Creative Writing Institute’s annual short story contest is now in session and accepting entries until September 15, 2016. This is a small contest and your chances of winning are good. Invest in yourself and get your entry ready! For details and submission instructions, visit http://CreativeWritingInstitute.submittable.com/.

Prizes: First prize is $100, a first place eMedal and publication in the 2016 anthology.

Second prize is $50, a second place eMedal and publication in the 2016 anthology.

Third place is $25, a third place eMedal and publication in the 2016 anthology.

*We will also recognize honorable mentions and several “Judge’s Picks,” which means the story didn’t place, but at least one judge really liked it and it will be published in our anthology. Judge’s Pick winners will receive a Judge’s Pick ribbon.

Above all, have fun! Hey! Wait a minute! “Like” us before you go, will you?

See guidelines at http://www.CreativeWritingInstitute.com.

How to Win a Writing Contest

Secrets to Winning a Creative Writing Contest

by Deborah Owen, CEO of Creative Writing Institute

Contests are like cars. There are a lot of them and no two are the same, but this is an overview of how Creative Writing Institute judges their annual writing contest. This year, it runs from July 15 – September 1, 2015.

First, the judges do a quick sorting. They place stories that might have a chance to win in one pile and stories that have no chance of winning in another. Needless to say, those in the latter pile hit file 13. Your first question should be, on that first sorting, what are the judges looking for? Among other things:

a. Very poor grammar
b. Very poor punctuation
c. Long, drawn out discourses that make no point
d. DEAD and DULL FIRST PARAGRAPHS
e. NOT FOLLOWING the STATED RULES
f. Not using the theme line, word for word!

The judges’ first scanning is not an in-depth reading. It simply sorts the big pile into a smaller one. There will be at least four full readings of each story by each judge.

You will win or lose a judge’s interest in the first paragraph, so be sure that first paragraph begins in the middle of an ACTION scene. Don’t lead up to the action. You don’t have time for that in a short story. Jump in with both feet. Next, develop that action until it reaches the climax about 2/3 of the way through and use the last 1/3 to form a conclusion and tie up loose ends.

Do all judges look for the same things? No. Each judge is as different as a snowflake. They may look alike on the writerly surface, but their thoughts and interests are as different as night and day, and that is what makes a good judging panel.

Here’s a clue. Our judges are not into romance. Does that mean you can’t enter a tactful romance story? No. Does it mean a romance story can’t or won’t win? NO. It was just a hint.  🙂

Another clue: the head judge would like to see some mystery stories this year. Does that mean the winning entry will BE a mystery story? No, but clever writers will certainly think twice before submitting to another genre (For newbies, genre means division – such as drama, fantasy, crime, etc.). But then again, some judges would prefer fantasy! In the end, the best, most captivating story will win, no matter what the genre.

Creative Writing Institute likes to run “themed contests” where the story centers around a certain phrase. This year’s theme sentence is, “I got more than I bargained for!” (You may choose your own punctuation, but those exact words must be in the story, in that order.) This is a fun theme!

The number one reason for disqualification is NOT FOLLOWING the RULES. Last year we had a winning entry that used one swear word. The judges were so into the story that none of them caught it, but I did and the instructions clearly said, “no swear words.” We even published a brief list of what we considered swear words (much to my chagrin) AND the address of the head judge in case anyone had a question.

Why do we have a “list” of swear words? Because we are an international organization that is based in the USA and even Americans hold heated debates on which words are or are not considered swearing. Why don’t we include swear words from other nations? Because it would be impossible to make a list of every country’s swearing slang.

The next question might be, “Why don’t you allow swear words?” One reason is… swear words are a form of telling instead of showing. (Note to beginners: a technique called Show, Don’t Tell means you should always show an emotion with action instead of description. For example, instead of saying, “Jarod was angry at the little boy and pushed him into a bush,” you could show his anger by saying, “Jarod drop-kicked the little runt into the shrub.”)

Another reason we don’t want swearing is because our anthologies are suitable family material. Believe it or not, not everyone swears!

We have already mentioned following the rules, which you would think would be a no-brainer, but to be sure you have conformed to the guidelines, read every single rule one more time before you submit. If we call for a limit of 2,000 words and you send 2,005, guess what? No matter what the quality of the story, it will hit file 13.

The quickest way to win is to write an original story totally based around I got more than I bargained for. The quickest way to lose (and embarrass yourself) is to pull a pre-written story out of mothballs, insert the theme line where it fits best and submit it.

I speak from experience. I tried this little number on a writing teacher years ago when she told me to write a story and insert a certain theme line. It seemed like a silly exercise to me and I was pushed for time, so I pulled an old story out, dropped the line in and submitted it. (*blushes… in my defense, this was the only time I ever did anything deliberately dishonest.)  I thought I was so slick and so smart, until I got her comment which read, “It almost looks like you used an old story and just dropped that line in. Rewrite it and make it blend.” Well… *duh, our judges are smart enough to figure that out, too!

On rounds 2 and 3, our judges usually grade each story from 1-10 and then they total the points for each story. It takes a terrific story to make it to 8, 9, and 10. By the time the judges get to round 4, bloodshot eyes are crossing, every person answers to any name, none are sure which way is up and the coffee has long ago run out so sometimes the head judge changes the method of tallying to, “This time we will deduct points for ________.”

All entries will be judged on originality, creativity, style and technique.

Originality

Plain and simple – how original your ideas are. There are no new stories, but there are always new angles. Day dream a little bit to find something spicy. Keep asking yourself, “What if… ?” That will open dozens of unique ideas.

Creativity

Creativity is how you express yourself. You might use similes, metaphors, emotives, or all of the above plus a whole lot more.

Style

Your writing style will reveal who you are, how you think, how you express yourself and what voice you use. (Hint: stories written in past tense, third person [using he, she and it] sell the quickest… and win the most contests.)

Technique

Writing technique includes the point of view, visualization of scenes and people, style of dialogue, how you write flashbacks (or if you use them at all), red herrings, foreshadowing, etc. It can also refer to the more technical aspects of rhythm, harmony, assonance, alliteration, personification and the like. All of these things equal your technique and the voice that is peculiar to you.

Seldom do we have a clear winner. We have ties more often than rabbits nibble carrots and when that happens, we pass the smelling salts and deodorant around and see how it goes. Under the careful scrutiny of our head judge, Ms. Jo Popek, judges may politely “argue” why “their pick” should win. By the time they emerge with a list of winners, it’s a wonder they are still friends, and an even greater wonder that they will return to the judging panel again next year!

Once you get contesting in your blood, you will have to enter at least two a year. Writing for a contest is one of the greatest, quickest ways to learn from your own writing.

Above all, enjoy the writing experience… and support our nonprofit charity by purchasing our anthology in December.

May the best author win!

SEE CONTEST RULES AT http://www.CreativeWritingInstitute.com.

Creative Writing Institute’s Short Story Contest

Creative Writing Institute’s Annual Short Story Contest

No Entry Fee

First place: a FREE writing course with a personal tutor, valued at $260 USD.

Second place: $50 Amazon gift card or a credit of $150 USD toward a writing course with a personal tutor, valued at $260 USD.

Third place: $25 Amazon gift card or a credit of $100 USD toward a writing course with a personal tutor, valued at $260 USD.

*Plus, two honorable mentions and TEN additional Judge’s Choice stories will receive publication in our 2015 anthology and Ebook.

This is a themed contest and this exact sentence must appear in the story:

“I got more than I bargained for!”

We would like to encourage mystery stories, but the genre is open. (See http://www.cwinst.com/   for definitions and complete rules.)

  • Story must be 1000 – 2000 words.
  • No swearing, profanity, explicit sexual scenes, graphic violence, etc.
  • Entry must not have been published before.
  • ONE submission per person, please
  • Accepting submissions internationally from July 15, 2015 until August 15, 2015, midnight, USA Eastern Standard Time.
  • All entries must be in English

SEE MORE DETAILS at http://www.CreativeWritingInstitute.com

How to Format a Short Story

Formatting Tips

by Pat Decker Nipper

Formatting a story is designing how it looks in print. Determine the layout of your manuscript by setting parameters. Look at examples of written material. Are the letters large enough to read comfortably? Are the lines far enough apart? How are the new paragraphs formatted?

Professional formatting will make your work shine. If you follow these standards, your manuscript will be ready to submit, whether in hard copy (paper) or online. Although the following is a commonly accepted standard for formatting, individual publications occasionally vary, so be sure to check before you submit.

The 2010 Writer’s Market has illustrations of formatting and includes good advice. They say to use white 8-1/2 x 11 paper, and “ …no artsy fonts.” They also suggest you use a laser or an ink-jet printer.

Below are the common formatting standards, as developed over years of creating documents.

1. Leave one inch of space on all four margins of the paper—top, bottom, and both sides. 

2. Left justify your pages. That means every line should align on the left. The right margin is not justified, or in other words, it remains “ragged.”

3. Indent five spaces at the beginning of a new paragraph.

4. Choose an easy-to-read font. For PC users, try Times New Roman or Verdana. Macintosh users might like Palatino.

5. Set the font size at 12 point for easy readability.

6. Stay away from italics, except where needed to be grammatically correct.

7. Avoid bold, except in headings and areas where you want to emphasize text.

8. Double-space if you’re printing on paper. Single space if you’re submitting electronically, and in such case, double space between paragraphs.

9. In dialogue, each new speaker starts a new line.

10. Add your personal information in the upper left corner of the page. The title can carry over to the additional pages, along with a page number.

11. Center the title of the story and your name under it on the first page. Some publications want you to start the first page about one-third of the way down. Check their style and follow their example.

12. Avoid hyphenation at the ends of lines. e.c

These are general rules. Needless to say, guidelines always take president. For extra information, check The Chicago Manual of Style. You can even find it online. Another good one is The Elements of Style by Strunk and White. There are many more style guides on the Internet.

Pat Decker Nipper is a native Idahoan and former teacher, now living and writing in San Jose, California. She is the author of Love on the Lewis and Clark Trail and a number of short stories and articles. For more information visit www.patdeckernipper.com

Join the beginner’s short story contest at http://www.CreativeWritingInstitute.com. Contest closes Aug. 31, 2012. Please FOLLOW the guidelines so your entry won’t be disqualified. Don’t forget to click “like” before you leave!

         

Contest Winners for Short Story Contest

SHORT STORY CONTEST WINNERS

Thank you to our judges: Head judge – Jo Popek – and judges Mr. Lynn Carroll
and Annie Evett. Without them, there would have been no contest. Many
thanks! Here are their decisions for Creative Writing Institute’s
Third Annual Beginner’s Writing Contest:

1st place: Secrets Best Kept by Diane Davis
2nd place: Annabell Hated Being Asian by Michelle Yu (age 15)
3rd place: Apples, Pumpkins, or Manure by Shirley Dilley

Honorable mentions: Helen Crall, Sneha Koilada, Shirley Dilley

Read 2nd place, 3rd place and honorable mention stories here:

http://www.cwinst.com/ContestWinners.php

And now for our first place winner’s story in it’s entirety…

SECRETS BEST KEPT by Diane Davis (See Diane’s bio at the bottom)

Rachel pulled the last box out of her mother’s closet and set it on the bed. Putting her fists in the small of her back, she stretched her aching back and rolled her shoulders. With a sigh she opened the flaps. She had delayed long enough. The cleaning service was due this afternoon.A loud clang from the kitchen indicated her older sister, Sylvia, had things moving along in there. Packing up the debris from the life of a sixty-two-year-old woman was physically exhausting, but when she was your mother it was emotionally taxing too.

Rachel pulled a pink baby afghan out of the box and laid it aside. She didn’t know whose it was, but she and Sylvia would never have kids. Maybe she’d give it to the Cradle Guild at church. Next came a jumble of stuff. A tassel from a graduation cap, a Kewpie doll, an old Timex, a pair of baby shoes.

At the bottom of the box she found a small brown notebook bound with a thick rubber band. The cover had no writing on it, front or back. Rachel started to take off the rubber band, but hesitated. It felt wrong, digging through Mama’s personal things like this. She had been a private person, loving but reserved, even with her family. Now that she was gone, Rachel felt like she was violating some unwritten rule. But she couldn’t throw the notebook away without looking at it. After all, there may be something important in there. She pulled off the rubber band and opened the cover before she could change her mind.

In the upper right-hand corner of page one was what looked like a date:14 Juni, 1968. The page was crammed with line after line of her mother’s fluid cursive, but Rachel couldn’t understand a word of it because it was in—German? Did her mother speak German?

Flipping through the rest of the notebook, Rachel’s unease grew. She didn’t know what this meant, but she sensed it was bad. Why would Mama have a diary written in a language she never spoke in everyday life? Had she been hiding something?

Rachel’s first impulse was to show it to her sister. After all, Sylvia was thirteen years her senior—maybe she would remember a time when Mama spoke German. Rachel almost called out to her, but the words died unuttered. Her sister had taken Mama’s death hard. That’s why Rachel had the task of packing their mother’s room. Sylvia had finally managed to achieve a certain amount of calm. Showing her the notebook might send her on another crying jag. Besides, maybe it was nothing.

Slipping the notebook into her purse, she decided to find a translator. If it turned out to be harmless as she hoped, she would show it to her sister when the time was right.

* * *

Weeks passed. Rachel had forgotten about the notebook after she scanned the pages and emailed them to a college friend who knew a German language major. Now it was tucked away in the bottom drawer of her nightstand under a half-finished novel and a crossword book. Life went on.

The packet came on a Saturday. Rachel sat at the kitchen table staring at it, torn between the urge to burn it and curiosity over the contents. Once she opened it and read the translation, there would be no going back. Not knowing would drive her crazy, but did she want to deal with the revelations it might contain, good or bad?

Grabbing the packet, she tore it open and pulled out the loose pages. The cover letter was a courtly salutation followed by a polite request for payment, signed by the translator. Her hands shook as she laid it aside and started to read the text.

The first dozen pages related everyday anecdotes about Sylvia and Father, along with notes about her rosebushes, and various church activities. Rachel scanned them, charmed by the light tone of the entries. Her mother seemed to be happy in those days.

At page thirteen, the tone became dark and frightened and angry. Rachel’s reading pace slowed as she tried to comprehend the horrible things her mother had written. She reread portions, too stunned to take it all in. By the end, tears streamed down her face and sobs clawed at her throat. It was much worse than she had ever imagined.

Hilda didn’t know when the incest began, but she gradually became aware of subtle clues. Sylvia shrank from touching her father and avoided direct eye contact with everyone. She had always been shy, but every day she became more withdrawn. Her appetite decreased and she rarely smiled. Finally Hilda was so worried she took her to the doctor. That’s when she learned the depth of her husband’s depravity.

Twelve-year-old Sylvia was pregnant, and Hilda suspected her husband was the father. The family would never survive the shame. To be so young and unmarried and pregnant was bad enough, but to bear a child of incest was horrible. There was only one thing to do.

Hilda put the word out that she was pregnant then took Sylvia with her to stay with a friend in Phoenix until the baby was born. She told her friends that her doctor had recommended the drier climate so her asthma wouldn’t flare up and endanger the baby’s life. After the child was born, Sylvia and Hilda brought her home with nobody the wiser. Rachel grew up blissfully unaware that her loving older sister was her mother, and her mother was actually her grandmother.

Robert never touched Sylvia again, as far as Hilda could tell. Perhaps her threat to go to the police scared him into compliance. But it seemed his depravity only went dormant for a dozen years.

To her horror, she noticed that he began to pay special attention to Rachel. He touched her frequently and his hands lingered on her arm or back. He insisted she kiss him on the lips and he hugged her tight, often pulling her onto his lap. Hilda knew she had to do something before it was too late.

She couldn’t let history repeat itself.

Over the next few days she began to put digitalis in his food, gradually increasing the dose. Never one to go to the doctor, he stayed in bed, forcing fluid even though he kept vomiting, trying to sleep in spite of his splitting headache. Two days later he was dead of a heart attack.

Rachel laid the last page down. She stared at the wall as she struggled to find her balance in this new topsy-turvy paradigm. Her grandmother had killed her father to save her from incest, and her mother was alive. Why she wrote it down, and more importantly, why she wrote the whole tale in German were mysteries that had died with Hilda.

Her mother was alive! Smiling for the first time in hours, Rachel jumped up and rushed to the phone, but she put the receiver back after dialing a few numbers. She covered her mouth as a fresh round of tears rolled down her cheeks.

Sylvia had lived with the pain of this secret for years. Would it be more painful for her if she knew Rachel had learned the truth? Or would it be better to go on as sisters with a close, loving relationship?

Sinking back into her chair, she closed her eyes and took a deep, cleansing breath. Letting go of the tension, sadness and fear, she opened herself to accept everything the diary had revealed. She was still the same person she had been before reading Hilda’s words. There would be time to decide what to do with the knowledge later.

The phone interrupted her meditation. She checked the caller ID and her smile came through in her voice when she answered.

“Hello, Sylvia. I was just thinking about you.”

About the Author

Diane Davis, an Arizona native, is a happily married mother of two with a life-long passion for words. She’s had ten short stories and an essay published in online ezines like Long Story Short, Menopause Press and FlashShots, and won first place in Phyllis Scott Publishing’s short story contest. Diane’s goal is to become a novelist.
____________________________________________________________

CHRISTMAS SALE on WRITING COURSES at http://www.creativewritinginstitute.com until Dec. 31, 2011. All courses now only $177. Eight weeks in length with your own private tutor. It just doesn’t get any better than that! Payment plan available. See the site for more details.

HOW to WIN a SHORT STORY CONTEST

SHORT STORY CONTEST for BEGINNERS listed below… by Bob Bruggemann

If you want to win a short story contest, the first thing you must do is study the rules. Many submissions are disqualified because they don’t meet all the requirements. If formatting guidelines have not been given, single space the text and indent the paragraph. If the rules state a maximum of 1000 words, a 1200-word story, however brilliant, will hit the trash pile. If the short story contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded.

Welcome to the judging world, where judges go strictly by the rules. Assuming you follow the guidelines, the judges will then look at these four elements:

• Originality
• Creativity
• Style
• Technique

Let’s look at each one and see what they mean.

    Originality

Short story contest winners come from second, third, and tenth thoughts. Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce.

Make your short story unique and the judges will love you. Come at it from a different point of view. Seek a new angle.

    Creativity

Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.

Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a story that is different.

For example, what if a shy looking woman attended a wedding and sat in the back, all alone? At the reception, she avoided conversation. She partook of the food and drinks and then left. Back in her lonely, one room apartment she scanned the Forthcoming Marriages column in the local paper to see where her next free food and wine would come from. See? The ‘what if’ question can lead you down original alleys.

    Style

In short story contests, you’ll never wrong with the KISS method: Keep It Simple, Sweetie! Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is readable and absorbing.

Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.

    Technique

A short story contest calls for three distinct parts: the beginning, middle, and end. It’s not as easy as it sounds.

The beginning introduces the main character and what the short story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.

Above all, don’t overlook simple formatting rules.

• Make a new paragraph for every new speaker
• Single space your short story and indent paragraphs
• Run the spellchecker!
• Watch your punctuation

And Finally…

If you don’t write an original entry for a short story contest, at least rewrite it to fit. For example, Creative Writing Institute’s contest is G-rated, which means no swearing or vulgar language. We’ve already received entries that contain good stories but the author probably didn’t cull out swear words from a story they had already written so it won’t be eligible. What a shame. Make sure your entry fits the rules.

This is short story contest is especially for beginners and the first thing the writer must learn is that judges go strictly by the book. See the rules here and abide by them: http://www.creativewritinginstitute.com. Above all, have fun! First prize wins $$ OR a FREE Writing Course!

AMATEUR SHORT STORY CONTEST

Third Annual Beginner’s Short Story Contest

A contest that is truly for beginner’s only! If you have been fortunate enough to sell a book or a short story, congratulations – but you don’t qualify for this contest. If you have self-published, you do qualify. This is an honor system.

RULES:

1. Any genre (Horror, Fantasy, Sci-Fi, Drama, Children, etc.)
2. 1,000 – 1,750 words
3. There is no entry fee, but since Creative Writing Institute is a non-profit charity that sponsors cancer patients in writing courses, we’re asking entrants to donate $1 – $5 donations through credit card or PayPal at http://creativewritinginstitute.com/donate.php. If you can’t donate, you’re still welcome to enter.
4. Short Story rights remain the property of the author
5. Entries must be G-rated. That means no swearing or vulgarities.
6. Contest ends midnight, USA Eastern Standard Time, October 20, 2011
7. Mail to head judge, jopopek@gmail.com
8. Put WRITING CONTEST in the subject line
9. Entries will be judged on originality, creativity, style, and technique
10. NOT following instructions may lead to disqualification
11. Up to two entries per person
12. Winners will be notified by email on or before December 15, 2011.

Prizes: 1st place winner will receive cash (up to $100, depending on donations received) OR a free, tutored writing course at Creative Writing Institute, valued at $200. In addition, the winner will receive two books, Word Magic by Cindy Rogers and an autographed copy of Word Trippers by Barbara McNichol. Our thanks go to both Cindy and Barbara for making these prizes available. Winning entry will be published on http://www.creativewritinginstitute.com and our blogs, along with the winner’s bio and picture, if provided.

Second place: Two free tutoring sessions with CEO and Founder, Deborah Owen, and a copy of Word Magic by Cindy Rogers. Winner’s name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

Third place: One free tutoring session with CEO and Founder, Deborah Owen, and an autographed copy of Word Trippers by Barbara McNichol. Winner’s name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

Honorable mentions: Names will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

This is a small contest and your chances of winning are good. Enter now!

If you haven’t signed up for The Writer’s Choice Newsletter, which is chock full of writing tips, you can do that here: http://www.creativewritinginstitute.com. Fear not – we won’t spam you.