How to Win a Short Story Contest

 

Secrets of Winning a Writing Contest
by Bob Bruggemann

If you want to win a contest, the first thing you must do is follow the guidelines. Many submissions are disqualified because they don’t meet all the requirements. If the rules state a maximum of 1,000 words, a 1,025-word story, however brilliant, will hit the trash. (Do not include the title or byline in the word count.)

If the contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded. If you are in question as to whether a word will be considered a swear word, don’t use it or write to ms.jo@cwinst.com and ask.

Assuming you follow the guidelines, the judges will look at the following four elements.

  • Originality
  • Creativity
  • Style
  • Technique

Originality

Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce, but if you use an original angle, the judges will love it.

Creativity

Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.

Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a unique story.

Style

In short story contests, you’ll never wrong with the KISS method: (Keep It Simple, Sweetie.)
Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is easy to read.

Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.

Technique

A short story contest calls for three distinct parts: the beginning, middle, and end. It’s not as easy as it sounds. The beginning introduces the main character and the action and what the story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.

Above all, don’t overlook simple formatting rules.

  • Make a new paragraph for every new speaker
    · Single space your short story and indent paragraphs
    · Run the spellchecker!
    · Watch your punctuation

Last, but not least: write an original story specifically for the contest – but assuming you don’t follow that good advice, at least rewrite your story to fit the guidelines.

Creative Writing Institute’s annual short story contest is now in session and accepting entries until September 15, 2016. This is a small contest and your chances of winning are good. Invest in yourself and get your entry ready! For details and submission instructions, visit http://CreativeWritingInstitute.submittable.com/.

Prizes: First prize is $100, a first place eMedal and publication in the 2016 anthology.

Second prize is $50, a second place eMedal and publication in the 2016 anthology.

Third place is $25, a third place eMedal and publication in the 2016 anthology.

*We will also recognize honorable mentions and several “Judge’s Picks,” which means the story didn’t place, but at least one judge really liked it and it will be published in our anthology. Judge’s Pick winners will receive a Judge’s Pick ribbon.

Above all, have fun! Hey! Wait a minute! “Like” us before you go, will you?

See guidelines at http://www.CreativeWritingInstitute.com.

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Contest Winners for Short Story Contest

SHORT STORY CONTEST WINNERS

Thank you to our judges: Head judge – Jo Popek – and judges Mr. Lynn Carroll
and Annie Evett. Without them, there would have been no contest. Many
thanks! Here are their decisions for Creative Writing Institute’s
Third Annual Beginner’s Writing Contest:

1st place: Secrets Best Kept by Diane Davis
2nd place: Annabell Hated Being Asian by Michelle Yu (age 15)
3rd place: Apples, Pumpkins, or Manure by Shirley Dilley

Honorable mentions: Helen Crall, Sneha Koilada, Shirley Dilley

Read 2nd place, 3rd place and honorable mention stories here:

http://www.cwinst.com/ContestWinners.php

And now for our first place winner’s story in it’s entirety…

SECRETS BEST KEPT by Diane Davis (See Diane’s bio at the bottom)

Rachel pulled the last box out of her mother’s closet and set it on the bed. Putting her fists in the small of her back, she stretched her aching back and rolled her shoulders. With a sigh she opened the flaps. She had delayed long enough. The cleaning service was due this afternoon.A loud clang from the kitchen indicated her older sister, Sylvia, had things moving along in there. Packing up the debris from the life of a sixty-two-year-old woman was physically exhausting, but when she was your mother it was emotionally taxing too.

Rachel pulled a pink baby afghan out of the box and laid it aside. She didn’t know whose it was, but she and Sylvia would never have kids. Maybe she’d give it to the Cradle Guild at church. Next came a jumble of stuff. A tassel from a graduation cap, a Kewpie doll, an old Timex, a pair of baby shoes.

At the bottom of the box she found a small brown notebook bound with a thick rubber band. The cover had no writing on it, front or back. Rachel started to take off the rubber band, but hesitated. It felt wrong, digging through Mama’s personal things like this. She had been a private person, loving but reserved, even with her family. Now that she was gone, Rachel felt like she was violating some unwritten rule. But she couldn’t throw the notebook away without looking at it. After all, there may be something important in there. She pulled off the rubber band and opened the cover before she could change her mind.

In the upper right-hand corner of page one was what looked like a date:14 Juni, 1968. The page was crammed with line after line of her mother’s fluid cursive, but Rachel couldn’t understand a word of it because it was in—German? Did her mother speak German?

Flipping through the rest of the notebook, Rachel’s unease grew. She didn’t know what this meant, but she sensed it was bad. Why would Mama have a diary written in a language she never spoke in everyday life? Had she been hiding something?

Rachel’s first impulse was to show it to her sister. After all, Sylvia was thirteen years her senior—maybe she would remember a time when Mama spoke German. Rachel almost called out to her, but the words died unuttered. Her sister had taken Mama’s death hard. That’s why Rachel had the task of packing their mother’s room. Sylvia had finally managed to achieve a certain amount of calm. Showing her the notebook might send her on another crying jag. Besides, maybe it was nothing.

Slipping the notebook into her purse, she decided to find a translator. If it turned out to be harmless as she hoped, she would show it to her sister when the time was right.

* * *

Weeks passed. Rachel had forgotten about the notebook after she scanned the pages and emailed them to a college friend who knew a German language major. Now it was tucked away in the bottom drawer of her nightstand under a half-finished novel and a crossword book. Life went on.

The packet came on a Saturday. Rachel sat at the kitchen table staring at it, torn between the urge to burn it and curiosity over the contents. Once she opened it and read the translation, there would be no going back. Not knowing would drive her crazy, but did she want to deal with the revelations it might contain, good or bad?

Grabbing the packet, she tore it open and pulled out the loose pages. The cover letter was a courtly salutation followed by a polite request for payment, signed by the translator. Her hands shook as she laid it aside and started to read the text.

The first dozen pages related everyday anecdotes about Sylvia and Father, along with notes about her rosebushes, and various church activities. Rachel scanned them, charmed by the light tone of the entries. Her mother seemed to be happy in those days.

At page thirteen, the tone became dark and frightened and angry. Rachel’s reading pace slowed as she tried to comprehend the horrible things her mother had written. She reread portions, too stunned to take it all in. By the end, tears streamed down her face and sobs clawed at her throat. It was much worse than she had ever imagined.

Hilda didn’t know when the incest began, but she gradually became aware of subtle clues. Sylvia shrank from touching her father and avoided direct eye contact with everyone. She had always been shy, but every day she became more withdrawn. Her appetite decreased and she rarely smiled. Finally Hilda was so worried she took her to the doctor. That’s when she learned the depth of her husband’s depravity.

Twelve-year-old Sylvia was pregnant, and Hilda suspected her husband was the father. The family would never survive the shame. To be so young and unmarried and pregnant was bad enough, but to bear a child of incest was horrible. There was only one thing to do.

Hilda put the word out that she was pregnant then took Sylvia with her to stay with a friend in Phoenix until the baby was born. She told her friends that her doctor had recommended the drier climate so her asthma wouldn’t flare up and endanger the baby’s life. After the child was born, Sylvia and Hilda brought her home with nobody the wiser. Rachel grew up blissfully unaware that her loving older sister was her mother, and her mother was actually her grandmother.

Robert never touched Sylvia again, as far as Hilda could tell. Perhaps her threat to go to the police scared him into compliance. But it seemed his depravity only went dormant for a dozen years.

To her horror, she noticed that he began to pay special attention to Rachel. He touched her frequently and his hands lingered on her arm or back. He insisted she kiss him on the lips and he hugged her tight, often pulling her onto his lap. Hilda knew she had to do something before it was too late.

She couldn’t let history repeat itself.

Over the next few days she began to put digitalis in his food, gradually increasing the dose. Never one to go to the doctor, he stayed in bed, forcing fluid even though he kept vomiting, trying to sleep in spite of his splitting headache. Two days later he was dead of a heart attack.

Rachel laid the last page down. She stared at the wall as she struggled to find her balance in this new topsy-turvy paradigm. Her grandmother had killed her father to save her from incest, and her mother was alive. Why she wrote it down, and more importantly, why she wrote the whole tale in German were mysteries that had died with Hilda.

Her mother was alive! Smiling for the first time in hours, Rachel jumped up and rushed to the phone, but she put the receiver back after dialing a few numbers. She covered her mouth as a fresh round of tears rolled down her cheeks.

Sylvia had lived with the pain of this secret for years. Would it be more painful for her if she knew Rachel had learned the truth? Or would it be better to go on as sisters with a close, loving relationship?

Sinking back into her chair, she closed her eyes and took a deep, cleansing breath. Letting go of the tension, sadness and fear, she opened herself to accept everything the diary had revealed. She was still the same person she had been before reading Hilda’s words. There would be time to decide what to do with the knowledge later.

The phone interrupted her meditation. She checked the caller ID and her smile came through in her voice when she answered.

“Hello, Sylvia. I was just thinking about you.”

About the Author

Diane Davis, an Arizona native, is a happily married mother of two with a life-long passion for words. She’s had ten short stories and an essay published in online ezines like Long Story Short, Menopause Press and FlashShots, and won first place in Phyllis Scott Publishing’s short story contest. Diane’s goal is to become a novelist.
____________________________________________________________

CHRISTMAS SALE on WRITING COURSES at http://www.creativewritinginstitute.com until Dec. 31, 2011. All courses now only $177. Eight weeks in length with your own private tutor. It just doesn’t get any better than that! Payment plan available. See the site for more details.

Making Time

Finding Time to Write by guest blogger, Hope Clark, Funds for Writers

“Time is the coin of your life. It is the only coin
you have, and only you can determine how it will be
spent. Be careful lest you let other people spend it
for you.”

~ Carl Sandburg ~

You cannot create time. You are allotted time. Twenty-
four hours in a day. So when you say you don’t have time,
you’re wrong. You have the same amount as anyone else.

So when someone contacts me, and asked how can they make
time for writing, I turn up the tough love to a pretty
high volume.

You make time for writing by sacrificing something else.

There! Problem solved. Now all you have to do is decide
what you toss out of your life to make room for your stories.

Oh, but you can’t. You have the job, kids, parents, church,
volunteer activities, exercising, gardening, cleaning, commuting,
Wednesday’s bridge, Friday’s movie night, and the list goes on
and on. How do successful writers do it?

Let’s start with one week. Find your notebook or calendar
that has plenty of room to write on, and make note of
absolutely everything you do. No fudging. No forgetting
and making up answers. You have twenty-four hours in a
day, seven days a week. Note them all.

Maybe you cannot give up your kids, as much as you’d like
to on some days. However, you can do the following to
spend more time writing and less time with child-rearing.
Yes, I said it! Take some time away from the kids. I’m
serious as a heart attack when I say that if your children
do not see you passionate about something other than them,
they don’t learn how to go after something great in their
lives or respect others who do.

1. Pick your writing time, even if it’s 15 minutes a day.
2. Make that time off limits except in case of emergency
(dinner isn’t an emergency).
3. Do not break your own regimen, or you teach the kids
it’s okay to break their own obligations.
4. Have someone watch the kids even if you’re in the house.
This teaches the kids that rules are rules.
5. Attend a conference. You’ll miss them more than they’ll
miss you.

Don’t have kids? Let’s take the job, the commute, volunteering,
and so on, and step back to analyze them in a different light.
How can they be streamlined, short-cut, or reorganized to
consume less time?

There’s always a way. With all the books on Amazon, obviously
somebody is finding the time. You are not the martyr. You are
not so unique. It’s just a matter of reorganization,
prioritizing, and frankly, not being afraid of tackling your
writing as if it were vital to who you are.

See more of Hope’s articles at http://www.fundsforwriters.com

For more great writing tips, get our newsletter at http://www.creativewritinginstitute.com.

HOW to WIN a SHORT STORY CONTEST

SHORT STORY CONTEST for BEGINNERS listed below… by Bob Bruggemann

If you want to win a short story contest, the first thing you must do is study the rules. Many submissions are disqualified because they don’t meet all the requirements. If formatting guidelines have not been given, single space the text and indent the paragraph. If the rules state a maximum of 1000 words, a 1200-word story, however brilliant, will hit the trash pile. If the short story contest calls for G-rated material (which means no swearing, vulgarities, or erotica) and your entry contains just one swear word, it will be discarded.

Welcome to the judging world, where judges go strictly by the rules. Assuming you follow the guidelines, the judges will then look at these four elements:

• Originality
• Creativity
• Style
• Technique

Let’s look at each one and see what they mean.

    Originality

Short story contest winners come from second, third, and tenth thoughts. Some contests give you a theme, such as, “Wedding Day.” What’s the first story idea that comes to mind? Whatever it is, forget it. You can bet everyone else will have thought of it, too. A large percentage of submissions will be so similar that the competition will be fierce.

Make your short story unique and the judges will love you. Come at it from a different point of view. Seek a new angle.

    Creativity

Don’t wrack your brain for an idea. Relax. Get your conscious, critical mind out of the way and allow ideas to bubble up from your subconscious. In other words, daydream.

Ask yourself who, what, when, where, why, how, and ‘what if?’ Let your train of thought go where it will. Before long, you’ll have an idea for a story that is different.

For example, what if a shy looking woman attended a wedding and sat in the back, all alone? At the reception, she avoided conversation. She partook of the food and drinks and then left. Back in her lonely, one room apartment she scanned the Forthcoming Marriages column in the local paper to see where her next free food and wine would come from. See? The ‘what if’ question can lead you down original alleys.

    Style

In short story contests, you’ll never wrong with the KISS method: Keep It Simple, Sweetie! Don’t try to impress the judges with $3 words. Like any other reader, they want a story that is readable and absorbing.

Every sentence must move the story forward. The reader doesn’t want flowery descriptions of a rose garden in the moonlight. He/she wants to know what the girl is doing there at two in the morning and what will happen next. Stick to the point.

    Technique

A short story contest calls for three distinct parts: the beginning, middle, and end. It’s not as easy as it sounds.

The beginning introduces the main character and what the short story is about. The middle develops the theme and keeps the reader hooked. The ending must be believable, resolve the problems, and leave the reader satisfied.

Above all, don’t overlook simple formatting rules.

• Make a new paragraph for every new speaker
• Single space your short story and indent paragraphs
• Run the spellchecker!
• Watch your punctuation

And Finally…

If you don’t write an original entry for a short story contest, at least rewrite it to fit. For example, Creative Writing Institute’s contest is G-rated, which means no swearing or vulgar language. We’ve already received entries that contain good stories but the author probably didn’t cull out swear words from a story they had already written so it won’t be eligible. What a shame. Make sure your entry fits the rules.

This is short story contest is especially for beginners and the first thing the writer must learn is that judges go strictly by the book. See the rules here and abide by them: http://www.creativewritinginstitute.com. Above all, have fun! First prize wins $$ OR a FREE Writing Course!

AMATEUR SHORT STORY CONTEST

Third Annual Beginner’s Short Story Contest

A contest that is truly for beginner’s only! If you have been fortunate enough to sell a book or a short story, congratulations – but you don’t qualify for this contest. If you have self-published, you do qualify. This is an honor system.

RULES:

1. Any genre (Horror, Fantasy, Sci-Fi, Drama, Children, etc.)
2. 1,000 – 1,750 words
3. There is no entry fee, but since Creative Writing Institute is a non-profit charity that sponsors cancer patients in writing courses, we’re asking entrants to donate $1 – $5 donations through credit card or PayPal at http://creativewritinginstitute.com/donate.php. If you can’t donate, you’re still welcome to enter.
4. Short Story rights remain the property of the author
5. Entries must be G-rated. That means no swearing or vulgarities.
6. Contest ends midnight, USA Eastern Standard Time, October 20, 2011
7. Mail to head judge, jopopek@gmail.com
8. Put WRITING CONTEST in the subject line
9. Entries will be judged on originality, creativity, style, and technique
10. NOT following instructions may lead to disqualification
11. Up to two entries per person
12. Winners will be notified by email on or before December 15, 2011.

Prizes: 1st place winner will receive cash (up to $100, depending on donations received) OR a free, tutored writing course at Creative Writing Institute, valued at $200. In addition, the winner will receive two books, Word Magic by Cindy Rogers and an autographed copy of Word Trippers by Barbara McNichol. Our thanks go to both Cindy and Barbara for making these prizes available. Winning entry will be published on http://www.creativewritinginstitute.com and our blogs, along with the winner’s bio and picture, if provided.

Second place: Two free tutoring sessions with CEO and Founder, Deborah Owen, and a copy of Word Magic by Cindy Rogers. Winner’s name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

Third place: One free tutoring session with CEO and Founder, Deborah Owen, and an autographed copy of Word Trippers by Barbara McNichol. Winner’s name will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

Honorable mentions: Names will be published on http://www.creativewritinginstitute.com and its blogs and we will provide a link to your story.

This is a small contest and your chances of winning are good. Enter now!

If you haven’t signed up for The Writer’s Choice Newsletter, which is chock full of writing tips, you can do that here: http://www.creativewritinginstitute.com. Fear not – we won’t spam you.

SHORT STORY WRITING CONTESTS

FICTION SHORT STORY CONTEST

Amateur writing contest in progress. CALLING ALL WRITERS – Did you know that 80% of the population has thought about writing a book? There’s a little writer in all of us. Pit your amateur talents against others like yourself in this SHORT STORY WRITING CONTEST. NO FEE – CASH PRIZE. Ends Nov. 20, 2010 – so hurry! See the guidelines at http://www.creativewritinginstitute.com and FOLLOW THE RULES. Good luck! (And while you’re here, add a comment!)

SHORT STORY WRITING CONTEST… SHORT STORY WRITING CONTEST… SHORT STORY WRITING CONTEST